{"id":29955,"date":"2016-10-27T10:16:11","date_gmt":"2016-10-27T14:16:11","guid":{"rendered":"http:\/\/www.signmedia.ca\/?p=29955"},"modified":"2016-10-27T10:16:11","modified_gmt":"2016-10-27T14:16:11","slug":"wide-format-graphics-printing-photographic-art-for-luminato","status":"publish","type":"post","link":"https:\/\/www.signmedia.ca\/wide-format-graphics-printing-photographic-art-for-luminato\/","title":{"rendered":"Wide-format Graphics: Printing photographic art for Luminato"},"content":{"rendered":"
\"l1006455\"
Photo by Jonathan Castellino, courtesy Luminato<\/span><\/em><\/figcaption><\/figure>\n

By Peter Saunders
\n <\/strong>Earlier this year, for the 10th<\/sup> annual edition of Toronto\u2019s Luminato festival of art and creativity, Beyond Digital Imaging (BDI) in Markham, Ont., printed and installed poster-size versions of photographer Scott McFarland\u2019s series Trove: A View of Toronto in 50 of Its Treasures<\/em>. The only place to see all 50 photos was at the central hub for Luminato 2016, the 65-year-old decommissioned Hearn Generating Station, but they could also be found throughout the city in public locations from June 10 to 26.<\/p>\n

Choosing treasures
\n <\/strong>The project began with the notion of bringing the 50 most important objects, works of art and ideas in Toronto to the public. This would entail choosing \u2018unseen\u2019 treasures that sat within the walls of museums, institutions and private collections\u2014where only those who know they are there could seek them out\u2014and using the entire city as one enormous art gallery, with an exhibition of these treasures out in the open for everyone to see. In this way, the project would share what only a fraction of Torontonians knew about and celebrate what makes the city special.<\/p>\n

\u201cWe looked far and wide and wrote to hundreds of people and museums and asked them for ideas,\u201d says J\u00f6rn Weisbrodt, artistic director of the Luminato festival from 2011 to 2016, who curated the project and contracted McFarland for the photography. \u201cWe had to make choices. Not everything made the final cut. And the selection was not definitive or objective. It was highly personal and subjective. We did not want to come up with objective criteria, like monetary value, which would have excluded so many things. We instead applied more instinctive values, e.g. <\/em>what would we save in an earthquake? What, pieced together, would paint a picture and tell a story of this city?\u201d<\/p>\n

Once they were selected, McFarland photographed the physical objects and works of art within their places of origin, in most cases in front of a neutral background.<\/p>\n

\u201cThe objects were diverse and widespread, but as photographic images, it would become possible to bring all of them together in one exhibition,\u201d says Weisbrodt. \u201cIt was the idea of freeing them from institutional walls, but nothing had to move.\u201d<\/p>\n

\"3m_bdi_27may16_-037master\"
Beyond Digital Imaging (BDI) produced the graphics using a durable aqueous ‘latex’ inkjet printer. <\/span>
\n Photos courtesy Beyond Digital Imaging<\/span><\/em><\/figcaption><\/figure>\n

Proposing a gallery<\/strong>
\n Next, McFarland collaborated with architects from Toronto-based firm Partisans to develop a digital design of how an art gallery could be laid out inside the Hearn, which had been proposed as the site for Luminato\u2019s first-ever residency. The plan, dubbed #TurnOnTheHearn, was to temporarily transform the former power plant into a cultural community centre, featuring a theatre, a music stage, a site-specific performance space, restaurants, bars and more.<\/p>\n

Dubbed the \u2018Hearn Jackman Gallery\u2019 to acknowledge a donation from the Hal Jackman Foundation, McFarland and Partisans\u2019 series of three-dimensional (3-D) renderings incorporated photos taken inside the actual station and vistas viewed from it, so as to achieve a more photorealistic effect overall. Then McFarland placed his photos of the objects in the 3-D renderings. The final images suggested how a gallery could be conceived of for the Hearn, with Partisans\u2019 architectural design using the upper level of the facility\u2019s former turbine hall.<\/p>\n

\u201cWe explicitly did not want to divide up the objects into any categories,\u201d says Weisbrodt. \u201cWe wanted to create free associations, counterpoints and surprise combinations that would invite audiences to develop their own narrative. And Scott\u2019s images already gave a glimpse into curatorial decisions, as most images did not contain only one object, but also secondary objects in the background as you would see in a real gallery.\u201d<\/p>\n

That said, the treasures were ordered and grouped into a series of 14 sub-galleries or \u2018pods,\u2019 each with a title that picked up on some common threads and could invite further thought (see list on page 32). This became the order in which the poster-size images would be displayed inside the Hearn over a space spanning more than 270 m (886 ft) from west to east, while their outdoor counterparts would be scattered across the city.<\/p>\n

\"3m_bdi_27may16_-341master\"
The process had to be repeated several times to allow for sufficient colour corrections.<\/span><\/figcaption><\/figure>\n

\u201cJ\u00f6rn really wanted to turn the city into an art gallery or a museum, filled with its most prized treasures,\u201d says Swapnaa Tamhane, who was brought on as producer for the project. \u201cIn a way, the idea stemmed from wanting to celebrate the initial philanthropists who were involved in supporting Luminato through its first 10 years and their collections.\u201d<\/p>\n

\u201cTrove<\/em> is also a proposal for what a future gallery could look like inside the Hearn,\u201d
\n says Weisbrodt.<\/p>\n

The need for vinyl
\n <\/strong>The Hearn Jackman Gallery was set up on the northern side of the station in the former turbine hall, about 12 m (39 ft) above ground level and accessible by stairs and elevator.<\/p>\n

\u201cThe main challenge was the Hearn\u2019s designation as a heritage building,\u201d says Tamhane. \u201cAny application on the bricks had to be minimal and not leave behind any marks or holes. We had long discussions about our options. Initially, we were thinking about printing the photographs on an aluminum composite material (ACM) and drilling into the bricks, until we found out that was not an option! We therefore decided to go with a vinyl application, which could be installed on the walls with a bit of heat and then removed by hand.\u201d<\/p>\n

Fortunately, by this point, Tamhane and project co-ordinator Jeremy Forsyth had already worked with community partners\u2014ranging from Enwave Energy to the Drake Hotel\u2014to find locations throughout the city for the outdoor applications, including 25 of Pattison Outdoor Advertising\u2019s local billboards, which would temporarily be filled with artwork instead of the usual ads. By working with BDI both for the public space and at the Hearn, the team ended up using the same semi-gloss vinyl from 3M Canada\u2014specifically, Envision print wrap film LX480Cv3, along with Envision lustre wrap overlaminate 8549L\u2014for a wide variety of placements. And as a further benefit, 3M helped sponsor the project for Luminato\u2014which is a non-profit organization\u2014by donating the material for the Hearn.<\/p>\n

\u201cThat was a huge help to our project budget,\u201d says Tamhane.<\/p>\n

\"edit1\"<\/a>
As the Hearn is a heritage building, the applications could not leave behind any marks or holes. The vinyl graphics could be installed on the walls with a little heat and removed later by hand.<\/span><\/figcaption><\/figure>\n

\u201c3M partners with graphics manufacturers like BDI on community projects that truly make an impact,\u201d says Jacqui Newell, marketing planning and communications manager for 3M Canada\u2019s commercial solutions division in London, Ont. \u201cWe were interested in the Luminato festival project because it would combine graphic wraps with a local artist\u2019s work.\u201d<\/p>\n

Dotting the city
\n <\/strong>Aside from working with Pattison, the team reached out to Toronto\u2019s various downtown business improvement areas (BIAs), which were able to recommend a list of community partners with available sites.<\/p>\n

\u201cWe sent them information regarding the project and a request to use their external walls, with a detailed description of how each work would be installed and, finally, removed,\u201d says Tamhane. \u201cWe had an overwhelmingly positive response, with many partners keen to participate in Luminato. As well, many were great fans of McFarland\u2019s work. It was really through this process that we created our final list of public locations, which were dotted throughout the city from east to west.\u201d<\/p>\n

The wrap film was key to this process, as not only could it be conformed to textured surfaces like brick walls, but it also has been updated recently for easier removal.<\/p>\n

\"l1006460\"
Applications across the city ranged from window decals to Pattison Outdoor billboards. <\/span>
\n Photos by Jonathan Castellino, courtesy Luminato<\/span><\/em><\/figcaption><\/figure>\n

\u201cThe city\u2019s walls are the perfect canvas to display this type of art installation,\u201d says Newell. \u201cThis wrap film is one of the tools artists can use to expand their creativity in those places without disrupting the existing architecture.\u201d<\/p>\n

In addition to wall murals and billboards, some of the printed versions of Trove<\/em>\u2019s photos became window decals, displayed in stores. Also, the integration of digital billboards and other large-format screens\u2014including those at the Air Canada Centre (ACC), Bank of Montreal (BMO) Field and Ricoh Coliseum sports venues\u2014into the project meant multiple artworks could be shown dynamically in the same location.<\/p>\n

\u201cIt would hopefully surprise those who see the images at a street corner, on the side of a building, in a shop window or on a digital billboard and make them wonder why they didn\u2019t know all these treasures existed in their city,\u201d says Weisbrodt.<\/p>\n

Getting the colours correct
\n <\/strong>With the sheer scale of the project apparent, Luminato turned to BDI, which is known for handling large and complex graphic applications, to print and install the photos of Trove<\/em>. This was when the 3M film was chosen, based in part on BDI\u2019s previous experience installing outdoor photo prints using similar materials for Toronto\u2019s annual Contact photography festival. For that matter, BDI had also worked with Luminato many times in the past.<\/p>\n

Kelly Tsao, project manager for BDI, led the effort to produce the large-format Trove<\/em> graphics on a 1.4-m (4.5-ft) wide HP Latex 360 durable aqueous inkjet printer.<\/p>\n

\u201cThere were challenges at first in terms of getting the reproductions to match the colours of the original artworks,\u201d says Tamhane.<\/p>\n

\"l1006451\"
Video walls and other digital signage deployments allowed multiple artworks to be showcased dynamically in the same location.<\/span><\/figcaption><\/figure>\n

\u201cArtists are very particular about colours, but they can\u2019t print a large-format image themselves for us to colour-match,\u201d Tsao explains. \u201cSo, for this project, Luminato sent us a batch of digital files. We output them with a default colour set and then they corrected them based on our output, at which point we received the files again and reprinted them.\u201d<\/p>\n

This process had to be repeated several times to get the colours right. To limit variations, Tsao made sure to use the same printer each time.<\/p>\n

\u201cWe couldn\u2019t switch machines or the colours would appear different,\u201d he says.<\/p>\n

The graphics for the Hearn were each 1.2 x 1.8 m (4 x 6 ft), while those designed for outdoor installation were scaled up as large as 2.4 x 2.4 m (8 x 8 ft).<\/p>\n

\u201cWe had a sufficient schedule allotted for printing,\u201d Tsao says, \u201cbut with the approval process, the colour corrections took up most of the time.\u201d<\/p>\n

That\u2019s a wrap
\n <\/strong>The timeline for the project was also challenging in that the graphics could only be installed in the Hearn after Luminato had taken temporary possession of the facility, cleaned the walls and removed nails and other obstructions. Then BDI\u2019s team arrived to set up the gallery.<\/p>\n

\u201cWe had never been to the Hearn before, but the installation was quick,\u201d says Tsao. \u201cThis version of 3M\u2019s film is easier to use than their earlier brick vinyl. We found that was also the case a few weeks later when we did the removal.\u201d<\/p>\n

\u201cThe application and removal of the artwork were both incredibly smooth,\u201d Tamhane agrees. \u201cIt took only 35 minutes at the Hearn to remove 50 images, which must be a record!\u201d<\/p>\n

With files from 3M Canada and Beyond Digital Imaging. For more information, visit www.3mgraphics.ca<\/a> and www.bdimaging.com<\/a>.<\/em><\/p>\n\n\n\n\n
\u00a0THE TREASURES OF TROVE<\/em><\/strong><\/span><\/span><\/td>\n<\/tr>\n
\n

The 50 photos of Trove<\/em> were divided into 14 galleries, as follow.<\/span><\/p>\n

Gallery 1: Comedy of Human Desires
\n <\/strong>a. Claes Oldenburg, Floor Burger<\/em>, 1962.<\/span>
\n b. Andy Warhol, Marilyn Tapestry<\/em>, 1968.<\/span>
\n c. Philip Guston, Untitled Head<\/em>, 1979.<\/span>
\n d. Princess Florine and Prince Florimund Costumes from The Sleeping Beauty<\/em>, 1972.<\/span><\/p>\n

Gallery 2: Hidden Structures
\n <\/strong>a. Opus 558, Wurlitzer Theatre Pipe Organ or \u2018The Mighty Wurlitzer,\u2019 1923.<\/span>
\n b. Sol LeWitt, Hanging Structure #24A<\/em>, 1991.<\/span>
\n c. Michael Snow, Goodbye<\/em>, 1959.<\/span>
\n d. \u2018The Golden Archtop,\u2019 Gibson Les Paul Standard, 1952.<\/span><\/p>\n

Gallery 3: Death and Last Wishes
\n <\/strong>a. Electric Chair, c. 1905.<\/span>
\n b. Original Drawings from Grant\u2019s Atlas of Anatomy<\/em>, 1943.<\/span><\/p>\n

Gallery 4: Wound of Discovery
\n <\/strong>a. Troy Hurtubise, Urus Mark VI<\/em>.<\/span>
\n b. Septentrionalium terrarium descripto<\/em>, First Map of the North Pole, by Gerhard Mercator.<\/span>
\n c. Unknown Haida Artist, Sea Captain<\/em>, c. 1840.<\/span><\/p>\n

Gallery 5: Bull in the China Shop
\n <\/strong>a.Bianhu (Moon-Flask)<\/em>, Hard-paste Porcelain with Underglaze Blue, Qing Dynasty (1644-1911), Qianlong Mark and Period (1736-1795).<\/span>
\n b. \u2018Bull\u2019 the White Rhino, Born 1963, Died 2008.<\/span>
\n c. Seiji Onizuka, Cigarette Paper Umbrella, 1942-1946.<\/span>
\n d. Ivory Horn (Oliphant).<\/span><\/p>\n

Gallery 6: Drama of Personal Life and Fame
\n <\/strong>a. Execution of Saint John<\/em>, c. 1230-1240.<\/span>
\n b. Half-pair of John Lennon\u2019s Chelsea \u2018Beatle\u2019 Boots, 1962.<\/span>
\n c. Door to the Dressing Room from Maple Leaf Gardens.<\/span>
\n d. 1992 and 1993 World Series Championship Rings of the Toronto Blue Jays.<\/span><\/p>\n

Gallery 7: Anatomy of Pop Culture
\n <\/strong>a. Samurai Kabuto<\/em> (Helmet) and Hanbo<\/em> (Mask), c. 1336-1573.<\/span>
\n b. Model of the CF-105 Avro Arrow and Blueprint from Avro Canada.<\/span>
\n c. TRK-12 Phantom Telereceiver, 1939, Lucite.<\/span>
\n d. Felix the Cat Doll, First Broadcast in 1928.<\/span><\/p>\n

Gallery 8: Current Origin of Species
\n <\/strong>a. Giant Panda Er Shun and Cubs Jia Panpan and Jia Yueyue.<\/span>
\n b. Collection of Original Editions of Charles Darwin\u2019s On the Origin of Species<\/em> and The Times of London<\/em> Spanning the Course of Darwin\u2019s Lifetime.<\/span><\/p>\n

Gallery 9: Massacre and Protection
\n <\/strong>a. Nkondi <\/em>and Mbulu Ngulu<\/em>, Kota Reliquary Figure.<\/span>
\n b. Kara Walker, 10 Years Massacre (and its Retelling)<\/em> #1-3<\/em>, 2009.<\/span>
\n c. British Officer\u2019s Gorget Fragments, modified by the First Nations.<\/span>
\n d. Peter Paul Rubens, The Massacre of the Innocents<\/em>, 1611-1612.<\/span><\/p>\n

Gallery 10: Inspiration of the Male Gaze
\n <\/strong>a. Jean Arp, Buste Sylvestre<\/em>, 1963.<\/span>
\n b. Pablo Picasso, Le Petit Dejeuner<\/em>, 1960.<\/span>
\n c. Tom Frost\u2019s Mujahedeen Arabic Machine \u2013 Oliver Typewriter.<\/span>
\n d. Tiffany Lamp, c. 1910.<\/span>
\n e. Amedeo Modigliani, Head IV<\/em>, 1911-1912.<\/span><\/p>\n

Gallery 11: Spirit and the Flesh
\n <\/strong>a. Antony Gormley, Room II<\/em>, 1987.<\/span>
\n b. Karoo Ashevak, Spirit<\/em>, c. 1970.<\/span>
\n c. Mother and Child Figurine, c. 2000 B.C.<\/span><\/p>\n

Gallery 12: Nature in Living
\n <\/strong>a. Lawren Harris, North Shore, Lake Superior, VIII<\/em>, 1921-1922; Bess Housser, Old Mine Shaft, Cobalt<\/em>, 1930.<\/span>
\n b. Charles Rennie Mackintosh.<\/span>
\n c. Sea Lily Fossil, 180-million-year-old Jurassic Posidonia Shale of Holzmaden.<\/span><\/p>\n

Gallery 13: Utopia
\n <\/strong>a. Constantin Br\u00e2ncu\u0219i, The Kiss (Le Baiser)<\/em>, 1908-1910.<\/span>
\n b. Handwritten Score of Apocalypsis<\/em> by R. Murray Schafer, 1972, revised 2015.<\/span>
\n c. Buckminster Fuller, Project Toronto<\/em>, 1968.<\/span>
\n d. Twenty-three Meteorites from Mars.<\/span><\/p>\n

Gallery 14: Entrance to the Lookout
\n <\/strong>a. Coptic Roundel Orbiculus, Egypt, 7th<\/sup> to 8th<\/sup> century.<\/span>
\n b. Jack Bush, Mainly Tan<\/em>, 1967.<\/span>
\n c. Joyce Wieland, Barren Ground Caribou<\/em>, 1978.<\/span>
\n d. Section of the Maple Tree that Inspired the Song, The Maple Leaf Forever<\/em>.<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Earlier this year, for the 10th<\/sup> annual edition of Toronto\u2019s Luminato festival of art and creativity, Beyond Digital Imaging (BDI) in Markham, Ont., printed and installed poster-size versions of photographer Scott McFarland\u2019s series Trove: A View of Toronto in 50 of Its Treasures.<\/em> <\/p>\n","protected":false},"author":1,"featured_media":29956,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[58,22,37,84,30,63,62,122,92],"tags":[993,2419,462,163],"class_list":["post-29955","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-exhibits-and-displays","category-wide-format-printed-graphics","category-posters-wide-format-printed-graphics","category-billboards","category-case-studies","category-inkjet-printers","category-lamination","category-special-events","tag-3m","tag-luminato","tag-photography","tag-vinyl","entry"],"acf":[],"yoast_head":"\nWide-format Graphics: Printing photographic art for Luminato - Sign Media Canada<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.signmedia.ca\/wide-format-graphics-printing-photographic-art-for-luminato\/\" \/>\n<link rel=\"next\" href=\"https:\/\/www.signmedia.ca\/wide-format-graphics-printing-photographic-art-for-luminato\/2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Wide-format Graphics: Printing photographic art for Luminato - Sign Media Canada\" \/>\n<meta property=\"og:description\" content=\"Earlier this year, for the 10th annual edition of Toronto\u2019s Luminato festival of art and creativity, Beyond Digital Imaging (BDI) in Markham, Ont., printed and installed poster-size versions of photographer Scott McFarland\u2019s series Trove: A View of Toronto in 50 of Its Treasures.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.signmedia.ca\/wide-format-graphics-printing-photographic-art-for-luminato\/\" \/>\n<meta property=\"og:site_name\" content=\"Sign Media Canada\" \/>\n<meta property=\"article:published_time\" content=\"2016-10-27T14:16:11+00:00\" \/>\n<meta name=\"author\" content=\"all\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"all\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"12 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.signmedia.ca\\\/wide-format-graphics-printing-photographic-art-for-luminato\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.signmedia.ca\\\/wide-format-graphics-printing-photographic-art-for-luminato\\\/\"},\"author\":{\"name\":\"all\",\"@id\":\"https:\\\/\\\/www.signmedia.ca\\\/#\\\/schema\\\/person\\\/0eaf6c32fa84e6d6fba2a612b174fb0f\"},\"headline\":\"Wide-format Graphics: Printing photographic art for Luminato\",\"datePublished\":\"2016-10-27T14:16:11+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.signmedia.ca\\\/wide-format-graphics-printing-photographic-art-for-luminato\\\/\"},\"wordCount\":2420,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/www.signmedia.ca\\\/wide-format-graphics-printing-photographic-art-for-luminato\\\/#primaryimage\"},\"thumbnailUrl\":\"\",\"keywords\":[\"3M\",\"Luminato\",\"Photography\",\"Vinyl\"],\"articleSection\":[\"Features\",\"Exhibits and Displays\",\"Wide-format Printed Graphics\",\"Posters\",\"Billboards\",\"Case Studies\",\"Inkjet printers\",\"Lamination\",\"Special events\"],\"inLanguage\":\"en-CA\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.signmedia.ca\\\/wide-format-graphics-printing-photographic-art-for-luminato\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.signmedia.ca\\\/wide-format-graphics-printing-photographic-art-for-luminato\\\/\",\"url\":\"https:\\\/\\\/www.signmedia.ca\\\/wide-format-graphics-printing-photographic-art-for-luminato\\\/\",\"name\":\"Wide-format Graphics: Printing photographic art for Luminato - Sign Media Canada\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.signmedia.ca\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.signmedia.ca\\\/wide-format-graphics-printing-photographic-art-for-luminato\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.signmedia.ca\\\/wide-format-graphics-printing-photographic-art-for-luminato\\\/#primaryimage\"},\"thumbnailUrl\":\"\",\"datePublished\":\"2016-10-27T14:16:11+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/www.signmedia.ca\\\/#\\\/schema\\\/person\\\/0eaf6c32fa84e6d6fba2a612b174fb0f\"},\"inLanguage\":\"en-CA\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.signmedia.ca\\\/wide-format-graphics-printing-photographic-art-for-luminato\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-CA\",\"@id\":\"https:\\\/\\\/www.signmedia.ca\\\/wide-format-graphics-printing-photographic-art-for-luminato\\\/#primaryimage\",\"url\":\"\",\"contentUrl\":\"\"},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.signmedia.ca\\\/#website\",\"url\":\"https:\\\/\\\/www.signmedia.ca\\\/\",\"name\":\"Sign Media Canada\",\"description\":\"Where Image and Innovation Converge\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.signmedia.ca\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-CA\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.signmedia.ca\\\/#\\\/schema\\\/person\\\/0eaf6c32fa84e6d6fba2a612b174fb0f\",\"name\":\"all\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-CA\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/609a071f3abbd05989f45642c45cb0f684dde38191e6120f45ac3267a21faccd?s=96&d=blank&r=pg\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/609a071f3abbd05989f45642c45cb0f684dde38191e6120f45ac3267a21faccd?s=96&d=blank&r=pg\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/609a071f3abbd05989f45642c45cb0f684dde38191e6120f45ac3267a21faccd?s=96&d=blank&r=pg\",\"caption\":\"all\"},\"url\":\"https:\\\/\\\/www.signmedia.ca\\\/author\\\/all\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Wide-format Graphics: Printing photographic art for Luminato - Sign Media Canada","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.signmedia.ca\/wide-format-graphics-printing-photographic-art-for-luminato\/","next":"https:\/\/www.signmedia.ca\/wide-format-graphics-printing-photographic-art-for-luminato\/2\/","og_locale":"en_US","og_type":"article","og_title":"Wide-format Graphics: Printing photographic art for Luminato - Sign Media Canada","og_description":"Earlier this year, for the 10th annual edition of Toronto\u2019s Luminato festival of art and creativity, Beyond Digital Imaging (BDI) in Markham, Ont., printed and installed poster-size versions of photographer Scott McFarland\u2019s series Trove: A View of Toronto in 50 of Its Treasures.","og_url":"https:\/\/www.signmedia.ca\/wide-format-graphics-printing-photographic-art-for-luminato\/","og_site_name":"Sign Media Canada","article_published_time":"2016-10-27T14:16:11+00:00","author":"all","twitter_card":"summary_large_image","twitter_misc":{"Written by":"all","Est. reading time":"12 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.signmedia.ca\/wide-format-graphics-printing-photographic-art-for-luminato\/#article","isPartOf":{"@id":"https:\/\/www.signmedia.ca\/wide-format-graphics-printing-photographic-art-for-luminato\/"},"author":{"name":"all","@id":"https:\/\/www.signmedia.ca\/#\/schema\/person\/0eaf6c32fa84e6d6fba2a612b174fb0f"},"headline":"Wide-format Graphics: Printing photographic art for Luminato","datePublished":"2016-10-27T14:16:11+00:00","mainEntityOfPage":{"@id":"https:\/\/www.signmedia.ca\/wide-format-graphics-printing-photographic-art-for-luminato\/"},"wordCount":2420,"commentCount":0,"image":{"@id":"https:\/\/www.signmedia.ca\/wide-format-graphics-printing-photographic-art-for-luminato\/#primaryimage"},"thumbnailUrl":"","keywords":["3M","Luminato","Photography","Vinyl"],"articleSection":["Features","Exhibits and Displays","Wide-format Printed Graphics","Posters","Billboards","Case Studies","Inkjet printers","Lamination","Special events"],"inLanguage":"en-CA","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.signmedia.ca\/wide-format-graphics-printing-photographic-art-for-luminato\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.signmedia.ca\/wide-format-graphics-printing-photographic-art-for-luminato\/","url":"https:\/\/www.signmedia.ca\/wide-format-graphics-printing-photographic-art-for-luminato\/","name":"Wide-format Graphics: Printing photographic art for Luminato - Sign Media Canada","isPartOf":{"@id":"https:\/\/www.signmedia.ca\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.signmedia.ca\/wide-format-graphics-printing-photographic-art-for-luminato\/#primaryimage"},"image":{"@id":"https:\/\/www.signmedia.ca\/wide-format-graphics-printing-photographic-art-for-luminato\/#primaryimage"},"thumbnailUrl":"","datePublished":"2016-10-27T14:16:11+00:00","author":{"@id":"https:\/\/www.signmedia.ca\/#\/schema\/person\/0eaf6c32fa84e6d6fba2a612b174fb0f"},"inLanguage":"en-CA","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.signmedia.ca\/wide-format-graphics-printing-photographic-art-for-luminato\/"]}]},{"@type":"ImageObject","inLanguage":"en-CA","@id":"https:\/\/www.signmedia.ca\/wide-format-graphics-printing-photographic-art-for-luminato\/#primaryimage","url":"","contentUrl":""},{"@type":"WebSite","@id":"https:\/\/www.signmedia.ca\/#website","url":"https:\/\/www.signmedia.ca\/","name":"Sign Media Canada","description":"Where Image and Innovation Converge","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.signmedia.ca\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-CA"},{"@type":"Person","@id":"https:\/\/www.signmedia.ca\/#\/schema\/person\/0eaf6c32fa84e6d6fba2a612b174fb0f","name":"all","image":{"@type":"ImageObject","inLanguage":"en-CA","@id":"https:\/\/secure.gravatar.com\/avatar\/609a071f3abbd05989f45642c45cb0f684dde38191e6120f45ac3267a21faccd?s=96&d=blank&r=pg","url":"https:\/\/secure.gravatar.com\/avatar\/609a071f3abbd05989f45642c45cb0f684dde38191e6120f45ac3267a21faccd?s=96&d=blank&r=pg","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/609a071f3abbd05989f45642c45cb0f684dde38191e6120f45ac3267a21faccd?s=96&d=blank&r=pg","caption":"all"},"url":"https:\/\/www.signmedia.ca\/author\/all\/"}]}},"views":7220,"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.signmedia.ca\/wp-json-v2\/wp\/v2\/posts\/29955","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.signmedia.ca\/wp-json-v2\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.signmedia.ca\/wp-json-v2\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.signmedia.ca\/wp-json-v2\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.signmedia.ca\/wp-json-v2\/wp\/v2\/comments?post=29955"}],"version-history":[{"count":0,"href":"https:\/\/www.signmedia.ca\/wp-json-v2\/wp\/v2\/posts\/29955\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.signmedia.ca\/wp-json-v2\/wp\/v2\/media?parent=29955"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.signmedia.ca\/wp-json-v2\/wp\/v2\/categories?post=29955"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.signmedia.ca\/wp-json-v2\/wp\/v2\/tags?post=29955"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}